DUMP

•  SYNOPSIS 

  
  After the loss of Earth, a group of young people start their own lives on a new planet. They establish a law for future humanity and remember the last place on Earth where lived to explore themselves and their now-gone world.               

•  FULL CREDITS 

   
  Director - Christina Friedrich
  Cinematographer - Greta Markurt, Emma Lena Weber 
  Editor - János Jonátan Lorincz 
  Composer and Musician - Fee Aviv Dubois 
  Costume Designer - Susanne Uhl 
  Movement Coach - Kiri Haardt 
  Set Designer -Christina Friedrich 
  Workshop - Daniel Folwatschni 
  Sound Installation - Torben Laib 
  Mask Maker - Karolina Jansova 
  Sound Engineer: Alejandro Weyler 
  Gaffer: Vitali Kirsch
  Grip: Henry Wiese 
  Dramaturge: Marco Aulbach 
  1st AD: Henri Päffgen 
  Camera Assistant: Catarina Garcia 
  Production Assistant: Emilia Marx 
  Costume Assistant: Nina Schreiber 
  Assistant Editor: Nina Tangermann 
  Colorist: Maren Henke 
  Sound Designer: Daniel Irribaren 
  Re-Recording Mixer: Maxim Romasevich 
  Stills: Bruno Elsner 
  Line Producer: Jette Blümler 
  Producer: Christina Friedrich
  Funded by 
  Mitteldeutsche Medienförderung, 
  Nordmedia, Kinderstern e.V.
  
  
  

BE MY GUEST - 돼라 내 손님이 - SEI MEIN GAST

•  SYNOPSIS 

  
  “Be My Guest 돼라 내 손님이 Sei Mein Gast”
  is a performance that uses filmmaking as its foundation to question the hierarchy embedded in the relationship between host and guest. The work takes place on an actual film set and uses errors that occur during the shooting process as a medium to explore the boundaries between social norms and exclusion.
  
  The piece reconstructs the presence of the “unwelcome guest,” who appears to be welcomed on the surface but is ultimately pushed aside and rejected. This dynamic reflects how migrants and minorities are often regarded as a kind of “error” within social systems. Inspired by the concept of KopFino (Head Cinema), the work uses cinematic techniques such as cuts, retakes, and shifts in perspective. Unexpected errors that emerge during filming, along with repeated acts of correction, form a structure that reveals how social norms define errors and how those definitions shape the exclusion or inclusion of marginalized people.
  
  The 2024 presentation in Berlin focused on the perspectives of Asian migrant women, while the 2025 presentation in Seoul expanded the viewpoint through the voices of multinational protagonists, reconsidering the meaning of migration and the structural contradictions within social systems.
  
  After completing the performances in both cities, the project is now in the film editing stage.      

•  FULL CREDITS 

  
  Performance - 임지애 Jee-Ae Lim, 
  Maricarmen Gutiérrez Castro, Mmakgosi Kgabi 
  Cinematography / Lighting - Greta Markurt 
  Sound / Music - Jimmy Sert 지미 세르
  Editorial Design - 김정연 Jungyun Kim
  Stage Manager - 양정현 Jeong-hyun Yang
  Camera & Lighting Assistant - 방형권 Hyungkwon Paul Phang
  Script / Concept / Visualization / Direction - 
  박종빈 Jongbin Park, 박재평 Jae-Pyung Park
  
  Part of the 2025 Seoul Marginal Theatre Festival
  Organized by Lost Theater
  Co-organized by Seoul Marginal Theatre Festival
  
  Supported by
  Seoul Metropolitan Government
  Seoul Foundation for Arts and Culture
  Seoul Foundation for Arts and Culture Arts Support Program (Interdisciplinary Art)
  
  

MILLI HOLDS / BETWEEN FLESH 

•  SYNOPSIS

       
  “SUICIDAL HORSES” is an endurance performance in which Lísandra moves or dances continuously for 8 hours each day on a defined stage. 
  In the work, Lísandra explore the limits of the body, animalistic movements, and the human being as an animal.  
  On stage, she reflects on whether animals can develop obsession in the same way as humans. 
  Could a horse run itself to death out of love?   

•  FULL CREDITS 

       
  Artist - Lísandra Týra Jóns
  Performance - Lísandra Týra Jóns, Emma Lusena Ash
  Cinematographer - Greta Markurt
  Sound editor- Nicolas Liebing 
  Sound recordist - Julius Lotter
  Location - Junges Tanzhaus Berlin