DUMP

•  SYNOPSIS 

  
  After the loss of Earth, a group of young people start their own lives on a new planet. They establish a law for future humanity and remember the last place on Earth where lived to explore themselves and their now-gone world.               

•  FULL CREDITS 

   
  Director - Christina Friedrich
  Cinematographer - Greta Markurt, Emma Lena Weber 
  Editor - János Jonátan Lorincz 
  Composer and Musician - Fee Aviv Dubois 
  Costume Designer - Susanne Uhl 
  Movement Coach - Kiri Haardt 
  Set Designer -Christina Friedrich 
  Workshop - Daniel Folwatschni 
  Sound Installation - Torben Laib 
  Mask Maker - Karolina Jansova 
  Sound Engineer: Alejandro Weyler 
  Gaffer: Vitali Kirsch
  Grip: Henry Wiese 
  Dramaturge: Marco Aulbach 
  1st AD: Henri Päffgen 
  Camera Assistant: Catarina Garcia 
  Production Assistant: Emilia Marx 
  Costume Assistant: Nina Schreiber 
  Assistant Editor: Nina Tangermann 
  Colorist: Maren Henke 
  Sound Designer: Daniel Irribaren 
  Re-Recording Mixer: Maxim Romasevich 
  Stills: Bruno Elsner 
  Line Producer: Jette Blümler 
  Producer: Christina Friedrich
  Funded by 
  Mitteldeutsche Medienförderung, 
  Nordmedia, Kinderstern e.V.
  
  
  

BE MY GUEST - 돼라 내 손님이 - SEI MEIN GAST

•  SYNOPSIS 

  
  “Be My Guest 돼라 내 손님이 Sei Mein Gast”
  is a performance that uses filmmaking as its foundation to question the hierarchy embedded in the relationship between host and guest. The work takes place on an actual film set and uses errors that occur during the shooting process as a medium to explore the boundaries between social norms and exclusion.
  
  The piece reconstructs the presence of the “unwelcome guest,” who appears to be welcomed on the surface but is ultimately pushed aside and rejected. This dynamic reflects how migrants and minorities are often regarded as a kind of “error” within social systems. Inspired by the concept of KopFino (Head Cinema), the work uses cinematic techniques such as cuts, retakes, and shifts in perspective. Unexpected errors that emerge during filming, along with repeated acts of correction, form a structure that reveals how social norms define errors and how those definitions shape the exclusion or inclusion of marginalized people.
  
  The 2024 presentation in Berlin focused on the perspectives of Asian migrant women, while the 2025 presentation in Seoul expanded the viewpoint through the voices of multinational protagonists, reconsidering the meaning of migration and the structural contradictions within social systems.
  
  After completing the performances in both cities, the project is now in the film editing stage.      

•  FULL CREDITS 

  
  Performance - 임지애 Jee-Ae Lim, 
  Maricarmen Gutiérrez Castro, Mmakgosi Kgabi 
  Cinematography / Lighting - Greta Markurt 
  Sound / Music - Jimmy Sert 지미 세르
  Editorial Design - 김정연 Jungyun Kim
  Stage Manager - 양정현 Jeong-hyun Yang
  Camera & Lighting Assistant - 방형권 Hyungkwon Paul Phang
  Script / Concept / Visualization / Direction - 
  박종빈 Jongbin Park, 박재평 Jae-Pyung Park
  
  Part of the 2025 Seoul Marginal Theatre Festival
  Organized by Lost Theater
  Co-organized by Seoul Marginal Theatre Festival
  
  Supported by
  Seoul Metropolitan Government
  Seoul Foundation for Arts and Culture
  Seoul Foundation for Arts and Culture Arts Support Program (Interdisciplinary Art)
  
  

MILLI HOLDS / BETWEEN FLESH 

•  SYNOPSIS

       
  “SUICIDAL HORSES” is an endurance performance in which Lísandra moves or dances continuously for 8 hours each day on a defined stage. 
  In the work, Lísandra explore the limits of the body, animalistic movements, and the human being as an animal.  
  On stage, she reflects on whether animals can develop obsession in the same way as humans. 
  Could a horse run itself to death out of love?   

•  FULL CREDITS 

       
  Artist - Lísandra Týra Jóns
  Performance - Lísandra Týra Jóns, Emma Lusena Ash
  Cinematographer - Greta Markurt
  Sound editor- Nicolas Liebing 
  Sound recordist - Julius Lotter
  Location - Junges Tanzhaus Berlin
  
  
  

THE HUNGER

•  SYNOPSIS 

       
  The Hunger is an exploration of the phenomenon of excess inspired by historical events fictionalised in the novel The Witness by Argentinian writer Juan José Saer. The Hunger follows the European colonisers‘ trails in the Rio de la Plata region in South America at the beginning of the 16th century. A group of indigenes attacks Spanish colonisers in the north of present-day Argentina. Only one person survives and becomes part of the Colastiné tribal community. After he gets freed by fellow Spaniards later on, he reflects and remembers his perceptions during the time he spent with the tribe.
  
  In The Hunger, cannibalistic rituals overlap with different forms of greed, from colonialism and consumption frenzy in today’s capitalist societies to the hyperproduction of an endless Now on social media. Cyclically recurring, collective rituals are used to establish a (feeble) sense of reality, a kind of „normality“ following their own social rules and conventions. The „transformation of taboo into totem“ finds an echo in new forms of shifting boundaries, while our own privacy is swallowed up by the representational logics of the digital world.
  
  Does reality only exist if you’re observing it?
  

•  FULL CREDITS 

        
  by and with - Candaş Baş, Adaya Berkovich, Alexandra Bódi, Emil Bordás, Chloe Chua, Oksana Chupryniuk, Deborah Dalla Valle, WooSang Jeon, Khaled, Moritz Lucht, Thulani Lord Mgidi, Steph Quinci, Anne Ratte-Polle, Miki Shoji, Shiori Sumikawa
  Concept, Direction & Choreography - Constanza Macras
  Stage Design - Simon Lesemann
  Costume Design - Slavna Martinovic
  Music - Robert Lippok
  Composition of Choral Music - Kristina Lösche-Löwensen
  Lighting - Kevin Sock
  Live Camera - Greta Markurt, Kathrin Krottenthaler
  Dramaturgy - Carmen Mehnert, Tamara Saphir, Leonie Hahn
  Photos - Thomas Aurin 

  
  

FEE AVIV - YOU MAKE ME FEEL ALIVE 

•  FULL CREDITS

        
  Director, cinematographer, editing, set design: Greta Markurt
  Lighting: Vitali Kirsch 
  Camera assistant: Hannah Kähler 
  VFX: Simon Guiseppe Floris
  Costumes: Thibaut Knapp
  3D printing: Janek Markurt
  Extras: Jana Saretzki, Lilith Krause, Polly Wedler, Julie Matthées, Hannah Kähler, Thibaut Knapp, Vitali Kirsch, Ciaran Plavać 
  Drivers: Vincent, Dierick, Ciaran Plavać 
  

LES GENS BLESSÉS

•  SYNOPSIS 

       
  "From shadows of trauma to the resilience carried in our bodies, this dance piece unmasks the pain we often hide while honouring the beauty of our Haitian heritage."  

•  FULL CREDITS

       
  Choreography, performance & directing: Lia Estelle Widmaier, Johnshades 
  Poetry : TRVɅNIɅ 
  Sound design : Alex Rapp 
  Costume : Pepe Dayaw 
  Cinematographer: Greta Markurt  

THE NIGHT IS DARK AND COLDER THAN THE DAY

•  SYNOPSIS 

        
  Between sleeping, waking and dreaming, we experience a collective dream of children who seem to be alone in this world – alone with universal questions and fears for which they must find their own answers.  

•  FULL CREDITS 

        
  coming soon
  
  
  

LAVORI IN CORSO!

•  SYNOPSIS 
  

       
  Threesomes can be treacherous, but attenzione! – in these woodlands, things are different than usual. Here it’s when two people quarrel, the third joins in. Then there are three faces as long as three fiddles, and the triad are protecting themselves and one another thrice more against prey and predators. A place overlooking pines and cypresses is an ideal basis for practicing triangulation, and when bread has run out, one can always offer to share their cannoli.
  
  Sharing is an affair of the heart for this trio, spilt screen mode and sharing wi-fi passwords included. All for one and one for everything! But sharing without conquering first, does that make any sense at all? Do all fences have the same meaning? And what unknown territory will lie on the other side?
  
  Director and author Jan Koslowski and dramaturg and author Marlene Kolatschny have been friends and collaborators for a very long time. Following Vacances du moi! (2019) and the film Brigitte Reimann besteigt den Mont Ventoux! (2021), they are set to explore the garden paths leading to property, redistribution, solidarity and the question: for whom and for what are we fighting our battles?
  
  Funded by Fonds Darstellende Künste & the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR.

•  FULL CREDITS 

       
  With - Lisa Hrdina, Leonie Jenning, Irina Sulaver, Deveroe, Max von Mechow
  Text & Directing - Jan Koslowski
  Text & Dramaturgy - Marlene Kolatschny
  Stage Design - Marilena Büld
  Costume Design - Gesine Försterling
  Camera - Greta Markurt
  Lighting - Franca Weigert
  Sound - Leroy Nikolas von Bergen
  Video Operator - Jackson Ford
  Animation - Deveroe
  Production Management - Keshia Luna Biedermann
  Assistance & Soufflage - Max von Mechow
  Photos - Amelie Amei Kahn-Ackermann
  
  

I FLY ON YOU!

•  SYNOPSIS 
  

       
  THE FLYING DUTCHMAN is Richard Wagner's shortest opera, and accordingly there is much that does not appear in the piece: stories, songs, music, dances, texts. Author and director Jan Koslowski has set himself the task of bringing all this to the stage. He has invited numerous artists from genres beyond the world of opera to join singers and musicians from the Deutsche Oper ensembles in taking a close look at Wagner's most popular opera, adapting material from it, questioning it critically, drawing inspiration from it and continuing to write from a contemporary perspective. 
  

•  FULL CREDITS 

       
  With - Olga Hohmann, Malick Bauer, Farman Hussein, Bastien Belrose, Victor Nicolaus, Alec Ross, Michael Bachtadze and David Wishart
  Direction & Curation - Jan Koslowski
  Dramaturgy - Sebastian Hanusa
  Production: Elli Neubert
  Scenography & Costume -Lukas Kesler
  Live Camera - Greta Markurt
  Assistance - Hannes Hehemann
  Photos - Amelie Kahn-Ackermann
  
  
  

VENETIAN BLONDE

•  SYNOPSIS    

         
  coming soon  

•  FULL CREDITS 

       
  coming soon
  
  
  

CLÉO

•  SYNOPSIS 
  

       
  We should take her hands down now, away from her face, and place them, folded, on her belly, shouldn’t we?
  We’ve tried, but it’s impossible, because rigor mortis has already developed.
  She’s buried her face in her hands because she was crying.
  Why, no! She was laughing. She just couldn’t stop laughing.
  Or maybe it was because it was too bright around her? She wanted to protect her eyes from the brightness. With her hands.
  Perhaps she’s hiding something beneath them.
  I would like to look at her face one more time.
  Yes, so would I. Maybe it isn’t her after all?
  Of course it is her. It’s Cleo.
  
  Based on the Film Cleo de 5 a 7 by Agnes Varda

•  FULL CREDITS 

       
  With- Arda Görkem, Hinnerk Henze, Marlene Kommallein, Lilith Krause, Gloria Odosi, Jana Saretzki, Emma Schall, Luzie Scheuritzel, Akira Schroth, Anna von Stebut, Andrea Stutzer
  Directors - Greta Markurt, Luna Zscharnt
  Text - Naomi Achternbusch, Josefin Fischer, Luna Zscharnt
  Stage - Louis Vincent Platzer
  Live Music - Fee Aviv Dubois
  Choreography - Ida Aga Zinnen
  Dance - Luna Caric
  Live Camera - Lotta Lipski, Greta Markurt, Frieder Unselt
  Live Editing - Lilith Pecsics
  Sound - Franca Weigert
  Assistant Director - Lilith Pecsics
  Technical Lead - Mario Carstensen, Leander Hagen
  P14 Direction - Vanessa Unzalu Troya
  Photos - Paul Vincent Roll 
  
  

SORBET AUF TRÜMMERN

•  SYNOPSIS 

       
  Paula is dating Ronja. They meet at Mauerpark, again and again - coincidentally? It's summer. The days just melt into one. Paula feels close to Ronja. It feels good. Is it love? It is definitely fragile. I am an "Ossi", says Paula. Ronja doesn't understand that. What does this still have to do with them? 

•  FULL CREDITS 

       
  Director / Writer - Marie Kühn 
  Actors - Sara Dao Hameder, Caro Hellwig 
  Cinematography - Greta Markurt 
  Editor - Nazafarin Hassanpour 
  Sound - Eneko Ezquerro Gomez 
  Soundtrack - Cosey Müller 
  Casting - Berti Caminneci 
  Producer - Marie Kühn 
  Production Assistant - Polly Wedler
  Camera Assistant - Eloisa Kölln 
  Sound Assistant - Fee Aviv Dubois
  
  

OPHELIAMASCHINE

•  SYNOPSIS 
  

       
  In 1979, deep in the Cold War, Hamlet – in Heiner Müller’s equally radical and epochal Shakespeare-paraphrase Hamletmaschine – is at a crossroads between the systems, worn down by ossified ideologies, numbed by brutality and banality. In 2022, more than 40 years later, Ophelia takes his place. In Magda Romanska’s post-dramatic response to Müller, she attempts to take over the narrative as the author of her own fragmented story: A lover and a madwoman on the debris of Western values and goods. Opheliamaschine, directed by Lithuanian director Uršulė Barto, is the first work in the series WORX.

•  FULL CREDITS 

       
  With - Nina Bruns, Maximilian Diehle, Hilke Altefrohne
  Stage & Costume Design - Katja Pech
  Video Design - Greta Markurt, Luna Zscharnt
  Music - Yuliia Vlaskina
  Director’s Assistant & Soufflage - Kathinka Schröder
  Dramaturgy - Jan-Stephan Schmieding
  Photos - Moritz Haase
  
  

LA PASSERELLA DI AMELIE

•  
  
   SYNOPSIS 

       
  coming soon 

•  
  
   FULL CREDITS 

       
  coming soon